David Levine (1926-2009) was one of America’s most prominent illustrators during a career that spanned decades. No less an authority than Jules Feiffer described him as "the greatest caricaturist of the last half of the 20th century,” although Levine continued to work in the early years of this century as well. Levine’s subjects included himself (above) and people from many walks of life. Authors, scribes and scribblers were a big part of the mix, as these caricatures make clear.
Steven Hammer published his first book, The Blooms of August, to great acclaim, but his second novel flopped. Now he does endless research on his current work of "literary fiction," teaches a single college eriting course as an adjunct and plays competitive online "Risk."
Oh, the irony.
His wife, Lucy Myers, is beautiful and driven, too obsessed with the investment company (focused on operations that “do good”) she runs to pay much attention to their kids, Sophie and Caleb. She rakes in the cash and pays Steven a stipend to give him some pseudo independence.
Lucy is too busy to hire a new nanny after sweet, middle-aged Constanza dies on the job (of natural causes) in the couple’s luxurious Brooklyn apartment. And she doesn’t appear to notice that Steven is recommending a stunning young Norwegian to replace Constanza.
Of course, he did forward to Lucy the most unbecoming photo of Astrid he could find.
Astrid is a good nanny, though. She’s circumspect, serious and wants to be a writer. She gets the kids to eat fish! Eventually, she confides to Steven that she loved his second book. In fact, she idolizes him in her stoic and literal way.
Steven falls hard. The two begin a torrid affair, which they somehow manage to keep secret. When the family heads to the Catskills for a two-week vacation at a posh rental, however, tensions reach the tipping point. Tragedy results.
The Au Pair is a compelling thriller with an undertone of wry, dark humor. Steven is a compromised protagonist. He is really selfish. And sometimes, spectacularly unmotivated. I spent half the book silently exhorting him to get off his duff and write. Steven faces a number of moral dilemmas. His approach to them is—interesting.
I did find it fascinating to contemplate what people will do for love. I remember when an acquaintance left his wife for another woman. I could see why he wanted to leave the wife, but not why he felt so strongly that he would leave behind his young son. It did have a detrimental effect on the child.
It was only later that I realized the new woman loved him and that was what he wanted and needed most of all.
I wasn’t able to cut Steven that much slack, though.
I finished this book in three days (typically I take five). I can’t say more about what happens to Steven, Lucy and Astrid without ruining the suspense for future readers. I can say that I suspect Steven was named for Mike Hammer, hero of Mickey Spillane’s PI novels. By the end of the book, Steven thinks he has found his writing voice again by writing a crime novel. And that really comes as no surprise at all.
